Never let it be said that this blog lets a good idea from its commenters go to waste. Even when that good idea emerges in response to a monotonous manifestation of the enormous ego of one of the blogosphere’s most ubiquitous hydra headed trolls. While Pavlov’s Cat is no doubt right that basing one’s entire orientation to life on a film is somewhat superficial, on the other hand, as a number of commenters indicated, it might be a neat thought experiment. For there is a serious point here - the mass medium of the film does actually provide something of a socialising phenomenon in modernity. (Whether that’s still true in late or post modernity is perhaps another debate.) For instance, I was recently alerted - through reading Israeli sociologist Eva Illouz’ Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism - to a really huge project conducted in America in the 1930s - the Payne Fund Studies. Chicago School sociologist Henry Blumer asked adolescents about the impact of movies on them (and in many ways the 30s was the height of Hollywood dreaming). He found that a lot of teens modeled their dating behaviour consciously on film scripts, as it were:
When I saw “The Pagan” I fell harder than ever for Ramon Navarro. All my girl friends talk about is these wonderful love stories. When I see a picture like that it makes me like my steady boy friend all the more… it happens that through the movies I have learned to close my eyes, and I use that “Deep Bend” pose.
From watching love scenes in the movies I have noticed that when a girl is kissed she closes her eyes; this I found that I also unconsciously do. When [boys] go to make love, to kiss or hug, I put them off at first, but it always ends in them having their way. I guess I imitated this from the movies because I see it in almost every show I go to.
Continue reading ‘Film as a guide to life: the thread we had to have’

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