A lot of my academic and consultancy work at the moment is focused on online urbanism, distributed knowledge and urban creativity. I’m loath to use the term ‘action research’ loosely, but this form of public sociology is really impossible to separate from creative practice. One of the projects I’ve been working on with some lovely and talented colleagues is about to launch itself on the world, and now has its own web presence – BrisCulture.
While literature about Creative Cities abounds, every city has its own urbanism and its own distinct culture. A ‘one size fits all’ model doesn’t map neatly onto the specificities of place. While Brisbane is now on the arts map with new cultural infrastructure capable of attracting visitors in the hundreds and thousands to major exhibitions and events, what of the sustainability of the city’s everyday lived cultural experience and production? Our town has proved its value in fostering distinctive and innovative forms of cultural practice – the germination of the music scene in the Valley or the arrival of grunge lit being notable moments in time. But much of this activity takes place ‘underground’ – it bubbles up alchemically from below; drawing energy from serendipitous connections and a sense of locale. Although we welcome the era of government support, public art and creative industries policy, we contend that embedding, celebrating and fostering emergent practice is a task still to be thought out.
That’s the task we’ve set ourselves. It sounds ambitious, but it’s realisable because we’re approaching it as an exercise in making connections and fostering the art of public conversation and collaborative policy making. You can read about the project at BrisCulture and stay tuned for our first event. As part of the 2009 Brisbane CitySmart Innovation Festival, we are hosting a joint event with The Centre for Policy Development, and in conjunction with the Eidos Institute, on the 26th of May at the Old School of Arts in Ann Street, Brisbane – Creative Brisbane: Rethinking Innovation. This will only be the beginning – we’re conceiving BrisCulture as a rolling series of events, policy interventions, performances and conversations which exists in a virtual locale as well as in the spaces of the city.
If you’re interested in all this, whether as a Brisbanite, an occasional visitor, or just curious about the town, I’d encourage you to join our Facebook group, which will be utilised to keep everyone in the loop. I’m very excited about this project, and I think it will lead to some really interesting things!
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